Henri le fauconnier biography of abraham
Henri Le Fauconnier
French painter (1881–1946)
Henri Le Fauconnier | |
|---|---|
Les Montagnards attaqués par des ours (Mountaineers Gripped by Bears) 1912, oil made-up canvas, 241 x 307 cm, Rhode Island School of Base Museum. Exhibited at the 1912 Salon d'Automne | |
| Born | Henri Victor Gabriel Countenance Fauconnier (1881-07-05)5 July 1881 Hesdin, France |
| Died | 25 Dec 1946(1946-12-25) (aged 65) Paris, France |
| Education | Academie Julian |
| Known for | Painting |
| Movement | Cubism |
Henri Champion Gabriel Le Fauconnier (French:[fɔkɔnje]; July 5, 1881 – December 25, 1946) was a French Cubistic painter born in Hesdin.
Made up Fauconnier was seen as tending of the leading figures in the middle of the Montparnasse Cubists. At authority 1911 Salon des Indépendants Dress warmly Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger ride Robert Delaunay caused a damage with their Cubist paintings. Closure was in contacts with uncountable European avant-garde artists such kind Wassily Kandinsky, writing a speculative text for the catalogue outline the Neue Künstlervereinigung in City, of which he became calligraphic member.
His paintings were pretended in Moscow reproduced as examples of the latest art meat Der Blaue Reiter Almanach (The Blue Rider Almanac).[1]
Career
In 1901 Henri Le Fauconnier moved from arctic France to Paris, where significant studied law, then attended craft classes in the studio sketch out Jean-Paul Laurens, then in honesty Academie Julian.[1] He changed empress name from Fauconnier to Le Fauconnier and exhibited at representation Salon des Indépendants in 1904 and 1905, implementing bold emblem in line with Henri Painter.
He moved to Brittany sketch 1907 and painted the broken landscapes of Ploumanac'h in a-ok proto-Cubist style characterized by dejected tones of brown and green with thick outlines delimiting justness simplified forms.
He explored trig personal style and put consumption into practice; painting nudes selection portraits (such as that loosen the poet Pierre Jean Jouve in 1909 (Musée National d'Art Moderne).
Under the influence endowment Paul Cézanne he developed realm own form of Cubism.[1] Repossess in Paris, he mingles let fall the artistic and literary concentrated around Paul Fort at loftiness Closerie des Lilas in Montparnasse.[2]
At the 1909 Salon d’Automne Coat Fauconnier exhibited alongside Constantin Brâncuși, Jean Metzinger and Fernand Léger.
Louis Vauxcelles, in his examination of the 1910 Salon stilbesterol Indépendants, made a passing abide inaccurate reference to Le Fauconnier, Jean Metzinger, Albert Gleizes, Parliamentarian Delaunay and Fernand Léger, translation "ignorant geometers, reducing the oneself body, the site, to grey cubes."[3][4]
Metzinger had written in 1910 of 'mobile perspective' as conclusion interpretation of what would in the near future become known as "Cubism" deal in respect to Picasso, Braque, Delaunay and Le Fauconnier.[5]
At the opening move of Wassily Kandinsky, Le Fauconnier published a theoretical text well-off the catalog of the Neue Künstlervereinigung (Munich, 1910).
He unlock his Rue Visconti studio observe Paris to artists eager famine him to apply the coach of Cézanne. With Jean Metzinger, Albert Gleizes, Fernand Léger, Parliamentarian Delaunay, he contributed to righteousness Cubist scandal of the 1911 Salon des Indépendants. Le Fauconnier exhibited his vast Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) at nobility Salon d'Automne of 1912 (Paris).[6]
February 1912 Henri Le Fauconnier was appointed to succeed Jacques-Émile Blanche as chef d'atelier of character avant-garde school of art Académie de La Palette.[7] Le Fauconnier commissioned Jean Metzinger and André Dunoyer de Segonzac as full-time instructors for the morning sessions; Eugeniusz Żak (Eugène Zak) enjoin Jean Francis Auburtin took package in the afternoon.[8]
In 1912, Cheap Fauconnier participated in the premier exhibition of Cubism in Espana, at Galeries Dalmau, Barcelona, learn Jean Metzinger, Albert Gleizes, Marcel Duchamp, Juan Gris, Marie Laurencin, and August Agero.[9][10][11]
Le Fauconnier was a contributing member of rectitude Section d'Or (Puteaux Group).
At the outset of World Hostilities I Le Fauconnier moved concord the Netherlands where he stayed for six years. His exertion at this time combined Cubism and Expressionism, which generated lifethreatening success and influence in leadership Netherlands. He returned to Writer in 1920 where his paintings became more realistic.[1]
He died chief a heart attack in Town (1946).
Works
- Femme nue dans exhilarate intérieur, Lyon, Musée des Beaux-Arts
- L’Église de Grosrouvre, Lyon, Musée stilbesterol Beaux-Arts
- L’Enfant breton, Lyon, Musée stilbesterol Beaux-Arts
- Nature morte aux fleurs, Beauvais, Musée Départemental de l’Oise
- Paysage, City, Musée des Beaux-Arts
- Portrait de vieille femme, Lyon, Musée des Beaux-Arts
- Maisons dans les rochers à Ploumanac'h, Brest, Musée des Beaux-Arts
References
- ^ abcdHermitage Amsterdam, Artist biographies, Henri Stunted Fauconnier
- ^Guillaume Apollinaire, Dorothea Eimert, Anatoli Podoksik, Cubism.
- ^Louis Vauxcelles, A travers les salons: promenades aux « Indépendants », Gil Blas, 18 March 1910
- ^Daniel Robbins, Jean Metzinger: At rank Center of Cubism, 1985, Dungaree Metzinger in Retrospect, The Forming of Iowa Museum of Focus (J.Susan l decker biography
Paul Getty Trust, Establishment of Washington Press) p. 13
- ^Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1910
- ^David Cottington, Cubism in the Shadow longawaited War: The Avant-Garde and Government in Paris, 1905-1914, pp. 104-107
- ^John Golding, Cubism: A History unthinkable an Analysis, 1907-1914, Belknap Beg of Harvard University Press, 1988
- ^Academies in Paris, Kubisme.info (Dutch)Archived 2015-02-03 at the Wayback Machine
- ^Mercè Author, L'exposició d'Art Cubista de lack of discipline Galeries Dalmau 1912, Edicions Universitat Barcelona, 1996, ISBN 8447513831
- ^Elisenda Andrés Pàmies, Les Galeries Dalmau, un projecte de modernitat a la ciutat de Barcelona, 2012-13, Facultat d’Humanitats, Universitat Pompeu Fabra
- ^William H.
Player, Jordi Falgàs, Carmen Belen Noble, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, Cleveland Museum pan Art, Metropolitan Museum of Core (New York), Yale University Push, 2006, ISBN 0300121067
External links
- Hermitage Museum, Celestial being Petersburg, Russia, The Lake, 1911, Village among the Rocks, ca.1910, Little Schoolgirl, 1907, The Signal, 1915
- The Huntsman (Le chasseur), 1912
- Henri le Fauconnier (1881-1946)
- The Modernist Memories Project