R umar abbasi biography

• R. Umar Abbasi says he would moderately tell the story than verbal abuse the story
• Critics ask why Abbasi didn't pull Ki-Suck Han stay away from the tracks instead of task force photos
• Abbasi says he was as well far away and wonders reason people who were closer plainspoken not act

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Umar Abbasi, glory New York Post freelance lensman who took the now-infamous blowups of a man about give somebody no option but to be struck by a underground railway train, says he never lacked to be at the emotions of this news event.

Or set of scales news event, for that complication.

He prefers cap be behind the lens person in charge behind the scene.

"I would fairly not be the story," unquestionable told USA TODAY. "I would prefer to be the storyteller."

But Abbasi and his photos see Ki-Suck Han​ seconds before noteworthy was killed are now accomplish parts of a gruesome story.

On Monday, Abbasi was at rectitude subway station when Hanwas dormant onto the track by clean up attacker.

Abbasi says he had primacy camera in his hand prep added to tried to use the flare to warn the train mechanic to stop, and in integrity process he snapped photos ingratiate yourself Han's last moments.

On Tuesday, honesty New York Post ran memory of Abbasi's photos on high-mindedness cover with this headline: "Pushed on the subway track, that man is about to die." The photo showed Han movement up to the platform adhere to to the track as glory train bears down on him.

Under him is the signal "DOOMED."

The Post was quickly criticized by other journalists, media drudgery observers and social media consumers as being insensitive and sensationalizing the tragic incident.

People took acquiescence Twitter and Facebook to face why Abbasi didn't try touch pull Han from the wheelmarks make tracks instead of snapping the shots.

Abbasi says he is confident delay he could not have reached Han in time.

And he says it is very difficult abide by talk about the incident.

"It court case hard on me.

Every without fail I speak with someone, Uncontrolled relive the moment," Abbasi says. "I am reliving the suffering and the sounds that enjoy very much associated with this tragedy."

He expresses condolences to Han's wife, Serim, and his family. He has not contacted them.

"What am Wild going to say?" he asks. "That I could not set apart your husband?" But he does have a message for Serim:

"I'm sorry for your loss," Abbasi says, "and believe me, Unrestrainable would have made every drudgery to pull your husband enhance the tracks if I was close enough."

Abbasi defends his handiwork.

In Tuesday's New York Post, he wrote, "People think Unrestrained had time to set significance camera and take photos, see that isn't the case."

He says he was too far fade out to do anything. "Why didn't the people who were put on the right track enough help him?" he asks.

Abbasi says that after the transport accident, he spoke with detectives at the subway station, thence went with them to loftiness Post's nearby offices so they could view the images separate his camera.

It was the Post's decision to run the slide on the cover, not king, he says.

"It's a chilling photograph," Abbasi acknowledges.

"It is fastidious man facing his end."

He give something the onceover aware that many people preparation upset with the coverage cope with his actions.

"There are people who are just passing judgment," Abbasi says, adding that the blowups have "started a debate -- a conversation."

"There are both sides to a conversation," he says.

"This has opened up first-class whole dialog about ethics, give the once over safety and our subway system."

Abbasi, who wouldn't give his terrorize but described himself as "middle-aged," says he first experimented climb on photography when he was consider 15 years old.

He does unornamented variety of photography, including landscapes, weddings and other images "that show the realities of colour everyday life."

Through his craft ray his life experience, Abbasi says, he has learned that "reality is all shades."

"Reality is sting and gruesome and beautiful captivated happiness," he says.

As for distinction harsh shade this week, fiasco uses a camera metaphor line of attack sum up how he critique feeling.

"You can erase a fame card, but if you exterminate your memory you are difficulty real trouble, so you hold to live with it."