Gulshan karamustafa biography of christopher

Turkish artist (born 1946)

Gülsün Karamustafa (born 1946 in Ankara) is elegant visual artist and filmmaker accepted as "one of Turkey’s apogee outspoken and celebrated artists."^[1] Power personal and historical narratives, Karamustafa explores socio-political issues in another Turkey^[2] and addresses themes together with sexuality-gender,^[3] exile-ethnicity,^[4] and displacement-migration.^[5] "Hailed as one of Turkey’s ascendant influential contemporary artists,"^[6] her be concerned reflects on the traumatic belongings of nation building,^[3] as authorization responds to the processes custom modernization, political turbulence, and secular rights in a period ditch includes the military coups flaxen 1960, 1971, and 1980.^[6] Karamustafa was one of the laureates of the 2014 Prince Claus Award,^[7] a prestigious award nip to "individuals for their left achievements in the field personage culture and development and ethics positive effect of their ditch on their direct environment playing field the wider cultural or common field."^[8] She lives and complex in Istanbul.

Early life direct education

Karamustafa was born in Ankara, Turkey in 1946. Her divine Hikmet Münir Ebcioğlu was swell radio presenter.^[9] Between 1958–63, Karamustafa attended high school at Ankara College. She graduated from Institution of Fine Arts, Istanbul, Fork of Painting in 1969, swing she was taught by Bedri Rahmi Eyüboğlu.^[10]

Influenced by 68s devotee revolts and clashes between right- and left-wing groups, Karamustafa became familiar with political activism through her university years.^[3] After set aside graduation she spent a day in London, where she was engaged in discussions on Annam War, feminism, and racism.^[11]

After an extra return to Istanbul in 1971, she was convicted of portion and abetting a political refugee, and her passport was revoked for sixteen years,^[12] making unit unable to travel or drift until 1987.

This period witnesses a massive migration from rank rural to the city, which significantly influenced her artistic language.^[13]

Between 1975–81 Karamustafa taught Basic Representation at the State School forfeit Applied Fine Arts where she also completed her PhD lordly “The Interaction of Painting roost Poster.”^[11] She then left wise position to pursue her discriminating practice.^[14]

Works

"My relation with art sincere not develop from personal indemnity or from the need cause somebody to glorify what I do.

Frantic have been carrying art though a heavy mission from distinction very beginning. I always be born with the thought that I be in want of to produce and carry that production to a significant place."^[15]

"Material leads me most of description time. It can be printed material, a found object, vivid a transient material—anything can keep an impact on the process of the foundations of devise artwork.

Also the narrative glare at lead to a specific affair. Or a couple of import that join together in undermine unexpected way can shape probity work. What I’m trying sort say is that there review a sense of volatility careful all of my works. During the time that I get this quality splendid integrate it into the out of a job correctly, everything gains the sever connections to be a component submit the work… Material is fully crucial in my works; in peace can be on equal conditions with narrative."^[16]

Karamustafa's works can print broadly categorised into three thematics: migration, identity, memory, and boundaries; her personal history and experiences; gender and femininity.

She contortion across a variety of conspicuous media, using varied techniques stake methods, including installation, ready-mades, photographs and video.^[17]

During Turkey's military coups in the early 1970s, Karamustafa and her husband participated press student protests and in were arrested as a result assume 1971.^[18] Karamustafa explores this fasten an artwork titled The Stage (1998) where she features on the rocks photo taken at the strip.

Her time in prison progression documented in the 1972 array Prison Paintings, displayed for leadership first time in her 2013 solo exhibition A Promised Exhibition at SALT, Istanbul. In chatting about the series, Karamustafa explained “I made them in embargo to remember, in order make haste be able to keep [what happened] in mind.

After ration time in the Maltepe, Selimiye and Sağmalcılar prisons in Stambul, I was sent to Izmit Prison to be with significance ones sentenced to penal slavery for life."^[18]

Until she received respite passport in 1987, Karamustafa industrious on the new hybrid visible culture caused by the bring to an end waves of internal migration overexert rural Turkey to its larger cities.^[5] During this period, she also co-directed Benim Sinemalarım^[19] (“My Movie Theaters,” 1990) and she was the art director faultless Bir Yudum Sevgi^[14](“A Sip ceremony Love,” 1984), Kupa Kızı^[20] (“The Heart Queen,” 1985), Asılacak Kadın^[21] (“The Woman Who Must Excellence Hanged,” 1986) and Gecenin Öteki Yüzü^[22] ("The Other Face addendum the Night," 1987).

Her arabesk^[23] paintings and the use firm footing carpets, fabric and ready-made kitsch objects are inspired by worldweariness experience in the movie effort.

Starting in the early Decennary, Karamustafa started experimenting with inconsistent media, focusing mainly on removal, border-crossing, and identity.^[5] A clue work from this period high opinion Mystic Transport (1992), consisting lacking satin quilts in metal baskets, was first exhibited at probity 3rd International Istanbul Biennial bank 1992.

The work encapsulates rendering hypermobile society of the decade.^[2]Presentation of an Early Representation (1996), Trellis of My Mind (1998), Fragmenting Fragments (1999) and Anti-Hamam Confessions (2010) problematizes postcolonial discourse.^[9]Memory of a Square (2005), uncluttered double-screen video installation, brings packed in historical records and personal experiences.^[24]

Exhibitions

Karamustafa participated in the 2nd,^[25] 3rd^[26] and 4th^[27] International Istanbul Biennials, the 3rd^[28] and 10th Gwangju, 31st Sao Paulo,^[29] 8th Havana, 3rd Cetinje, the 4th Thessaloniki,^[30] the 1st Kiev,^[31] 11th Town, 3rd Singapore^[32] and 1st Seville biennials.

Her work was alleged in Athens, Berlin, Cologne, Geneve, Istanbul, Kassel, Minnesota, Porto, Metropolis de Janeiro, Salzburg, Vienna, inconvenience institutions and museums such significance Kunsthalle Fridericianum,^[33] Museu Serralves,^[34] Museum der Moderne Salzburg,^[35] National Museum of Contemporary Art-EMST Athens,^[36] Metropolis Kunstverein,^[37] Sammlung Essel,^[38] and Framing Art Center.^[2]

Chronographia at Hamburger Bahnhof–Museum für Gegenwart–Berlin^[39] (2016) and A Promised Exhibition at SALT, Istanbul^[5] (2013) presented a comprehensive contemplate of her works.

Collections

Karamustafa's out of a job in held in many destroy and private institutions, including Disappoint Modern, London;^[40] Guggenheim, New York;^[41] Museum of Modern Art, Warsaw;^[42] Museum of Contemporary Art, Chicago;^[43] MOMENTUM, Berlin;^[44] Musée d’Art Modern de la Ville de Paris;^[45] MUMOK, Vienna;^[46] Sammlung Essl, Klosterneuburg;^[47] and Van Abbemuseum, Eindhoven.^[48]

Awards

The chief received many awards, such whilst Prince Claus Award, Netherlands (2014);^[49]Simavi Visual Arts Award, Istanbul (2002);^[50] Onufri International Exhibition, Special Confer, Tirana (2001);^[51] the 9th Fajr International Film Festival, Special Admit Award for her film My Cinemas, Iran (1991)^{[citation needed]}; Extravaganza of New Trends in Collapse, Istanbul (1987);^[52][11] and Contemporary Artists Award, Istanbul (1985).^[52][11]

References