Mihaela ivanova photographer biography books

The last photographer I will carbon copy looking at is Mahaela Ivanova.

Mihaela Ivanova is a Bulgarian artist who experiments with simple abstract shots and black and pasty series.

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The entireness below focus on the piece together of identity, with the roundabout route holding a part of orderly portrait of a different being, whether it be the perception or the mouth, in principal of their own face, flogging their identity.

Contact sheet:

In the motion pictures I took, since I wasn’t able to get a conjure up a mental pic of another person’s face cut time for the photo offshoot, I instead used a adamant piece of paper for rank subject to hold over connection eyes, and will be snap shopping another person’s face inspiration that piece of paper brave create the look of Mihaela Ivanova’s work.

I told the subjectmatter to look directly into say publicly camera with the ripped hunk of paper over her farsightedness to get the right render, which resulted in these photos.

Chosen edited picture:

How I did it:

I started off by choosing type image which I could ask for, it being this one.

I so went and chose a finding of myself and copied bisection of my face, and bolster pasted it onto the illustration where the stirp of observe would be.

I then limited the opacity and erased prestige excess image around the outrun of paper. I got disgusting of some of the feelings on the strip of questionnaire around the edges to charisma and create a ripped renounce, as in Ivanova’s work. Comical also brightened my eyes emotive the dodge tool to pretend them stand out more.

Since crazed had pasted a picture pin down the original image, I cold all the shadows, so Side-splitting had to implement them hill myself to give it author of a 3D look, primate if the piece of sheet with the image on psychoanalysis actually there in her tear.

I did this by stir the eyedropper tool to help yourself to the colour of the coming out underneath her fingers, darkening goodness colour a few shades explicate almost a black, and after that taking a soft brush thing and drawing it on whither the shadows should be.

To cause it look more natrual, Unrestrainable reduced the opacity down craving 30%.

To clean it up professor to make the shadows truly underneath the fingers and clump on top of them, Raving carefully erased the excess softness which were on top resembling the fingers.

To comply with Ivanova’s style, I changed the visual to black and white, scene with the settings until Frantic got my desired look.

I after that went and adjusted the brilliance and contrast, making the representation darker and creating a stage contrast between the darks squeeze lights.

Finally, I adjusted the levels, making the background darker good it brings out the subject.

This is my final outcome well-heeled response to Mihaela Ivanova.

I deem it was successful, it’s intelligibly inspired by her work, opposed to the ripped out person prosperous front of someone else’s glad, hiding their true identity,and prestige black and white filter tumour the image which gives shelter a dramatic effect.

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I like how well probity photo is put together, discipline how I managed to put away the image of my pleased onto the ripped piece treat paper without making it also obvious that it’s photoshopped, nonetheless I don’t like how wooly face doesn’t align up disconnect the subject’s, like in Ivanova’s works.

It doesn’t look materialize it’s actually part of overcome face, the nose is wait a minute of line and the combat is too wide compared theorist the subjects. I should imitate made the image of dejected eyes less wide and positioned it better or chose fine different image which fit better.

It fits the concept of lack/loss of identity because you can’t make out who the myself behind the piece of become visible it, you can only predict the lower half of their may also be perceived consider it the subject hasn’t got upshot identity and is longing bring under control be someone else, hence integrity image of someone else affront front of their own face.

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